![]() ![]() ![]() It’s OK if you want to be an instrumental artist, but if a beat is meant for an artist to get on it, it will never feel complete before you find the right collaborator.Īnd it never hurts to get out of the studio once in a while. This brings me to another point… I think it’s important for beatmakers to find like-minded vocalists - whether we’re talking about rappers or singers - and make actual tracks, not just beats. No wonder so many people became fans of him as much as of the artists he produced. And hip hop would be missing out.īy using different tools than the big producers of the time, he managed to invent a style of his own that’s both so unique and exciting. If he had waited for the perfect vintage gear, the most professional studio, and all the expensive plugins he desired, we might not know him today. Metro arrived at his particular sound palette by following his muse and using the tools he had on hand at the time. is dramatically shaping contemporary pop music from the bottom up, its Metro Boomin. Hi I recently completed my journey of acquiring the top synths for hip hop such as Nexus, Omnisphere etc and was wondering if anyone can share any preset/patch names used recently in trap (within the last year). Free 44 S Old School Analog Synth VST Plugin with 52 Presets. In Metro Boomin’s case, it’s all about keeping it simple and focusing on creativity. Recent VST Patches Used by Metro Boomin, Southside, etc. In the end, it might be an interesting exercise to learn to reproduce a great producer’s sound, but it’s probably even cooler to let yourself be inspired by what made the artist unique. ![]()
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